Francisco Jose de Goya
Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).

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Francisco Jose de Goya Francisco de Goya the Count of Floridablanca and Goya. oil painting


Francisco de Goya the Count of Floridablanca and Goya.
1783. Oil on canvas, 262 x 166 cm. Banco Urquijo, Madrid, Spain
Painting ID::  10352
Francisco Jose de Goya
Francisco de Goya the Count of Floridablanca and Goya.
1783. Oil on canvas, 262 x 166 cm. Banco Urquijo, Madrid, Spain
   
   
     

Francisco Jose de Goya Equestrian Portrait of Dona Maria Teresa Vallabriga oil painting


Equestrian Portrait of Dona Maria Teresa Vallabriga
1783Oil on canvas 80 x 60 cm. Galleria degli Uffizi, Florence
Painting ID::  10353
Francisco Jose de Goya
Equestrian Portrait of Dona Maria Teresa Vallabriga
1783Oil on canvas 80 x 60 cm. Galleria degli Uffizi, Florence
   
   
     

Francisco Jose de Goya Maria Teresa de Borbn y Vallabriga oil painting


Maria Teresa de Borbn y Vallabriga
1783. Oil on canvas 132.3 x 116.7 cm. National Gallery of Art, Washington
Painting ID::  10354
Francisco Jose de Goya
Maria Teresa de Borbn y Vallabriga
1783. Oil on canvas 132.3 x 116.7 cm. National Gallery of Art, Washington
   
   
     

Francisco Jose de Goya Summer oil painting


Summer
1786. Oil on canvas, 34 x 76 cm. Fundacion Lazaro Galdiano, Madrid
Painting ID::  10355
Francisco Jose de Goya
Summer
1786. Oil on canvas, 34 x 76 cm. Fundacion Lazaro Galdiano, Madrid
   
   
     

Francisco Jose de Goya The Marquesa de Pontejos oil painting


The Marquesa de Pontejos
c. 1786 Oil on canvas, 211 x 126 cm. National Gallery of Art,Washington
Painting ID::  10356
Francisco Jose de Goya
The Marquesa de Pontejos
c. 1786 Oil on canvas, 211 x 126 cm. National Gallery of Art,Washington
   
   
     

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     Francisco Jose de Goya
     Spanish Rococo Era/Romantic Painter and Printmaker, 1746-1828 Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).

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